Metaphors under modernity: how language is losing meaning over time

A few weeks ago, I dug up a bush from one place in my garden, trying to save as many of the roots as possible, then carried it over to another spot, where I would prefer it grew. I dug a hole, placed the bush into the hole, filled it around with soil and watered it copiously. This is the literal definition of the word ‘transplant’.

But it is not, by a longshot, how most people use the word, because in the modern world, very few of us spend our time moving plants from one place to another. Often we think of organ ‘transplants’. Or the idea of transplanting a family, ethnic group or business organisation from one physical or conceptual location to another. In fact, most people today, when they use the word ‘transplant’, probably don’t even think about the fact that they are using it in a figurative or metaphorical sense.

A bush in my garden that I ‘transplanted’.

Another example is the expression ‘to sow one’s wild oats’, referring to a young man who travelled without a fixed destination and engaged in sexual relations. A century or more ago, most would have understood the full nuance of the expression. Wild oats (avena fatua) are a grain that is similar to cultivated common oat (avena sativa), but blown by the wind, they spread their seed in an uncontrolled manner and yield no productive harvest. Thus, ‘sowing your wild oats’ was immediately understood to be a dangerous, reckless, and potentially ruinous pursuit. But today, this nuance is lost on the agriculturally ignorant urbanites who trot out the phrase.

The same is true for my transplanted bush. Right now, its main root is buried in the soil, but it is not well fixed and could easily be pulled out. I hope that it will slowly sprout new roots, binding with the new soil, before pushing up fresh branches and leaves. The scars of the brutal transplantation will never go away, but over time it will hopefully survive and flourish in its new location. All of these nuances, which apply equally to the figurative senses of the word, are sadly lost on the large percentage of the population who do not garden. The are not getting the full value from the metaphor – the sense of fragility; the need to first rebuild roots before further visible growth is possible.

And what’s true for bushes and oats is true for a whole host (or ‘hostile army’) of words. Most of the vocabulary we use today ossified (or ‘turned to bone’) at a time in history when certain technologies, like horseriding, were in full trot (or ‘moving along at a brisk, steady if somewhat jerky pace’). With modernity, our language is no longer well anchored (or ‘tethered to a weight at sea’) to, for example, the strong maritime past of our forebears; instead we have drifted (‘flowed’ or ‘moved with the stream’) from these visceral metaphors. In this way, the words have lost some of the richness of their subtext. And as our daily experiences become further and further removed from the physical (agrarian, industrial, nautical) world in which our language was cultivated (or ‘grown with care’), the metaphors will become ever more abstract and flavourless to us.

For sure, there are new technologies that level up (‘increase a character’s level, hit points and other powers in a video game’) the language, but I would swipe left (‘summarily dismiss on a dating app’) on the idea that they will trend (‘climb the rankings on a social media platform’) for very long. Mostly, these terms are an abstraction of an abstraction, they are niche (‘a small cavity in a wall’), and quickly fall out of currency.

What remains to those who would wish to marry (‘join in spiritual union’) metaphor and the life experience on which it is based? Well, you have only to don a pair of gardening gloves, volunteer to muck out the local horse stables or otherwise get your hands dirty.

I imagine not many readers will be chomping at the bit to do so.

My review of “The Psychology of Money” by Morgan Housel

The Psychology of Money by Morgan Housel

My rating: 2 of 5 stars


Some books are so badly written, you can hear the author’s fingers banging on the keyboard, pounding out clumsy phrase after clumsy phrase so loudly it distracts from, rather than reinforces, what the author is trying to say.

The Psychology of Money is not one of those books. Actually, the writing is acceptable enough to avoid being a major distraction. Not good, mind you, but acceptable. Instead I found myself distracted by something else: the complete lack of substance. I wondered how a book so short could still feel so padded out. It was peppered with unnecessary examples and anecdotes that tangentially supported the core point of the chapter – like when he takes you back a hundred years into some semi-famous financier’s boyhood in order to illustrate the point that it is good to leave your investments to ripen, instead of harvesting them too early.

For all the padding, what was missing were any profound insights into … the psychology of money. In fact, the title ought to have been A Few Obvious, Practical Ideas for Managing your Personal Finances. But what I wanted from the book was some deeper psychology. For example, one thing that always fascinates me about money management is what I’ll call the ‘scale paradox’. Back when I was a real estate agent, I observed more than a few times how people would fight and claw to avoid paying an extra 50 cents for a dozen eggs, yet fail to put in the same effort to add an extra ten thousand dollars to the sales price of their house.

Is this because large numbers are simply inconceivable to us?
Is it because we are preprogrammed to care more about tangible, basic transactions than intangible, complex ones?

I don’t really know, because this is one of many, many interesting aspects of the psychology of money Hausel had nothing to say about.

Instead, he informed me that investors are all different, so no single investment strategy can be considered ‘best’, and that he and his wife paid off their mortgage because they like the feeling of ‘owning’ their own home.

Maybe the deepest insight from The Psychology of Money has nothing to do with the content, and more to do with the psychology of book publishing and sales. I.e. how such a shallow, pointless collection of air could sell over six million copies. Figuring that one out – at least for authors like me – would be a true insight into making money.



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My review of ‘The Order of Time’ by Carlo Rovelli

The Order of Time by Carlo Rovelli

My rating: 4 of 5 stars


Time is relative.

You don’t need a beautifully-bound, poetry-studded hardback book to tell you that. You need only compare two very different pieces of reading material to see the principle play out – a 500 page John Grisham paperback novel, versus this above-mentioned hardback: The Order of Time, a 150 page treatise on the meaning of time and the universe, written by one of the most famous physicists alive. The Grisham you will breeze through, barely noticing as the formulaic plot unfolds effortlessly. The day and a half of reading will seem like no time at all.

The Rovelli, on the other hand, you will labour and struggle through, slowly reading and re-reading whole paragraphs, with a mounting sense of desperation as everything you thought you knew about time is methodically picked apart, and you’re not even completely sure you understand why. The weeks it takes you to finish it will feel like months.

I take pride in the fact that I did, ultimately, finish The Order of Time while on holidays on a Grecian island. It was a place where the sun bleaches out of your brain the ability to comprehend anything weightier than a young, ambulance-chasing lawyer from Mississippi cracking his first big case against an evil corporation, while saving the trailer-trashy blonde from her alcoholic, abusive husband. And yet despite the tides, tsatsiki and tarama, I managed to read and, I think, gain insights into something that is nearly as compact and dense as was the universe at the moment of the Big Bang.

I don’t claim to have fully, deeply, understood everything Rovelli sets out, so I won’t do the injustice of attempting a thorough ‘plot’ summary. In rough terms, he begins by picking apart all of our preconceived notions of how time works. He starts with the simple observation that time moves faster the closer you are to a surface of the earth, and from there gets you to a place where time, whether past, present or future, does not really exist at all, except as a cognitive dysfunction of our limited brains, linked somehow to this vague concept called ‘thermal time’ that is in turn linked to the second law of thermodynamics. Much of the details are blurry to me already, but that is probably okay because at the end, Rovelli admits that much of it is blurry even to him.

His thoughts on time take you to the very intersection of physics and philosophy, where the answers are no more solid than the baseball bat that Grisham’s hero uses on page 425 to whack the drunken husband. (Despite the six beers he’s drunk, the bat feels ‘hard’ against his skull, but Rovelli reliably informs us that both the bat and his head are in fact nothing more than a coincidence of quantum events, at some primitive stage of entropy.)

It is this blend with philosophy that also allowed me to forgive Rovelli his indulgent inclusion of poetry quotes and many tangential references to the arts. He is Italian, after all.

My only significant disagreements came later in the book. First, where Rovelli goes head-to-head with Descartes on the ‘Cogito argument’. He does not like Descartes’ “I think, therefore I am” very much, since for him there is some distinction between doubting and thinking, which Descartes does not allow in his first principle. I’m with Descartes, because I see doubt as a subset of thought.

My second bone of contention is that his whole treatise on time does not allow for any discussion of probability and determinism. This seems to me a glaring omission, because the fundamental question – it’s also a question situated at the intersection of physics and philosophy – is whether the universe is deterministic or probabilistic. This has important implications for the separation of future from present. With probabilism, the future is uncertain and must always be considered distinct from the present or past, because ex ante it is ‘unknowable’. With determinism, the only thing that makes the future uncertain is the same veil of ignorance that, in Rovelli’s reckoning, makes the past ‘blurry’ and therefore meaningfully different to the present. In other words, in a deterministic universe it is theoretically possible to know exactly what will happen, everywhere and always, from now until the end of time. ‘Future’ exists only because the supercomputers in our brains are not ‘super’ enough to do all the necessary calculations.

There is of course a third philosophical possibility, which sits between probability and determinism. It is what theologians refer to as ‘free will’ – the idea that the human soul is something special precisely because, in an otherwise deterministic universe, we humans – having been made in the image of God – are the sole entities capable of making meaningful choices. Therefore the future, and time itself, exist because humans have souls, and souls allow for choices, and not even God can predetermine what those choices will be.

If you are still reading this review, my guess is it’s felt like a relatively long read. Grisham’s protagonist would probably already have called his third witness by now.







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